BRANCH LIBRARIES
Carpenter St. Branch
The Storefront at 186 Carpenter St., Providence
March 3 - April 29, 2012
Organized in conjunction with Nick Ferreira, Jori Ketten and Andrew Oesch
Carpenter St. Branch consisted of approximately 50 books sourced from thrift stores, used bookstores, and antique shops in Rhode Island and southeastern Massachusetts. In addition to these books, the branch also featured two exhibitions of visual art - Living With Data and Mining the Collection, as well as a series of programs and talks. A scanning station was available for visitor use. Participating artists included Jay Zehnebot, Emmy Bright, Landfill Magazine, Buck Hastings, Nick Carter, and Daniela Ben-Bassat.
Carpenter St. Branch at the Carpenter St. website
Living With Data
3 - 25 March
Jay Zehngebot
(S)olar (P)owered (A)fterimage (C)ontent (E)nvironment
Iteration #01, 2012
Modified AppleTV, Solar Cell, Wireframes, Web Browser
Dimensions variable
Emmy Bright
Questions: August 28th-30th, 2010
New Urban Arts - Institute for Other Significant Pursuits, Year
Medium
Dimensions
Landfill Magazine
Undead Documents, 2012
Medium
Dimensions variable
Landfill is produced by Elyse Mallouk /
co-founded with Ted Purves
Art Direction and Design by the Office of Ven Gist
Mining the Collection: Navigating & Utilizing the Library Landscape
31 March - 20 April
Emmy Bright
Incantation, 2012
INSTRUCTIONS:
Please take a print from the stack on the table, fill in a name, perhaps your own,
and recite the incantation to bring about that which you desire.
Emmy Bright
Gloved, 2012
Emmy Bright
The Ascensions, 2012
Buck Hastings
Empathy/Mirror, 2012
oil on canvas
Buck Hastings
Tragedy/Epiphany, 2012
oil on canvas
Buck Hastings
Hunt/Surgery, 2012
mixed media on paper
Buck Hastings
Catastrophe/Radiant Heat, 2012
mixed media on paper
Buck Hastings
Therapy/Relief, 2012
collage on paper
Nick Carter
For the Benefit of a Partner, 2012
Digital video, 4 min, 1 sec, looped
Daniela Ben-Bassat
Coming Soon on VHS, 2012
Carpenter St. Branch was made possible by a generous grant from the
Rhode Island Council for the Humanities.